APRIL 4, 1914: TO BE CONTINUED

The Perils of Pauline, one of the earliest American movie serials and a classic example of the damsel in distress genre, premiered in Los Angeles on April 4, 1914. Every week for twenty weeks, actress Pearl White faced imminent danger and sure death at the hands of pirates, hostile Indians, gypsies and various mustachioed villains, escaping at the last possible second through her own ingenuity, resourcefulness and pluck. Her adventures in Pauline and the follow-up Exploits of Elaine were popular movie fare through the 1920s. Neither serial was a true “cliffhanger” in which episodes end with an unresolved danger to be resolved at the beginning of the next installment.  Instead White jumped in and out of the jaws of death in each installment.

Like many other silent film stars, Pearl White performed her own stunts for the serial, at considerable risk. During one scene, the hot-air balloon she was piloting escaped and carried her across the Hudson River into a storm, before landing miles away. In another incident, she permanently injured her back in a fall.  Which probably deprived us of the Dangers of Desdemona, Jeopardy of Janet and Predicaments of Prunella.

And of course White was more than once tied to railroad tracks by a mustache-twirling villain. One such scene was filmed on a curved trestle in New Hope, Pennsylvania on the Reading Company’s New Hope Branch. Now referred to as “Pauline’s Trestle,” it is a tourist attraction offering rides from New Hope to Lahaska, Pennsylvania, across the original trestle.

cliff-hanger

[klif-hang-er]

noun

1. a melodramatic adventure serial in which each installment ends in suspense in order to interest the reader or viewer in the next installment.

2. a situation or contest of which the outcome is suspensefully uncertain up to the very last moment:

Stopping for a moment, she convinced herself that she had to have a good lead over her pursuers, if they were even following her. She had to find Paul. Looking around, however, she realized that not only didn’t she know where Paul was, she didn’t know where she was. She decided to work her way back in the same general direction from which she thought she had come, keeping herself hidden. If they were chasing her, they would not be stealthy. She’d hear them before they saw her. And try to find Paul. Or someone else to help. But who?

Her foot caught the bottom of her sarong, and she fell to the ground. “This damn outfit,” she said aloud as she tried to untangle herself. “I might as well be wearing a strait jacket.”

She pulled herself up to her hands and knees and looked around. There just a few feet ahead of her, two golden eyes blazed in the dark. At first they were disembodied, hovering in the air, but as they stared at her, she began to discern an outline of whatever it was that possessed the eyes. It was big, really big, and as black as the night around it. It was a cat, at least four feet at its shoulders. And it wasn’t purring.

Excerpt from Voodoo Love Song by Richard Daybell

February 15, 1914: Body Snatchers Everywhere

Although he made more than 200 film and television appearances, actor Kevin McCarthy, born February 15, 1914, is forever linked to one film,  Invasion of the Body Snatchers. The 1956 sci-fi horror classic features McCarthy as a small town doctor who discovers an alien invasion in which plant spores from outer space have fallen to Earth where they grow into large pods.

Placed next to sleeping townspeople, the pods replicate their victims assuming their exact physical characteristics, memories and personalities but lacking any human emotion. One by one these pod people take over, leaving only Kevin McCarthy to warn the outside world: “They’re here already! You’re next! You’re next!”

In a 1978 remake of the film, McCarthy makes a cameo appearance playing his original character as an old man still frantically warning passing motorists of the invasion.

McCarthy should not be confused with another Kevin McCarthy the former Republican Minority House Leader and most likely a pod person.

In yet another remake, The Creeping Menace from Mar-a-Lago, the pods attack the US Senate, sidling up to sleeping Republican Senators, sucking away not only their human emotions but their integrity as well. (They skip the House because there’s nothing to suck away.) And there’s no Kevin McCarthy (the actor) to warn them this time, his having died in 2010. But wait, there’s Mitt Romney who has traded in his Etch-a-Sketch for a conscience. For a moment, we think there’s a glimmer of hope for mankind, but then we spot Ted Cruz.

You Too, Fu

Novelist Sax Rohmer, born on February 15, 1883, is probably not as well-known as his famous villain, the evil genius Fu Manchu (not to be confused with the “stable genius”), “tall, lean, and feline, high-shouldered, with a brow like Shakespeare and a face like Satan, a close-shaven skull, and long, magnetic eyes of the true cat-green.” The 13 fast-paced adventures make lively reading if you can get past the frequent overt racial slurs.  And here we are back at Mar-a-Lago.

APRIL 4, 1914: TO BE CONTINUED

The Perils of Pauline, one of the earliest American movie serials and a classic example of the damsel in distress genre, premiered in Los Angeles on April 4, 1914. Every week for twenty weeks, actress Pearl White faced imminent danger and sure death at the hands of pirates, hostile Indians, gypsies and various mustachioed villains, escaping at the last possible second through her own ingenuity, resourcefulness and pluck. Her adventures in Pauline and the follow-up Exploits of Elaine were popular movie fare through the 1920s. Neither serial was a true “cliffhanger” in which episodes end with an unresolved danger to be resolved at the beginning of the next installment.  Instead White jumped in and out of the jaws of death in each installment.

Like many other silent film stars, Pearl White performed her own stunts for the serial, at considerable risk. During one scene, the hot-air balloon she was piloting escaped and carried her across the Hudson River into a storm, before landing miles away. In another incident, she permanently injured her back in a fall.

And of course White was more than once tied to railroad tracks by a mustache-twirling villain. One such scene was filmed on a curved trestle in New Hope, Pennsylvania on the Reading Company’s New Hope Branch. Now referred to as “Pauline’s Trestle,” it is a tourist attraction offering rides from New Hope to Lahaska, Pennsylvania, across the original trestle.

Wretched Richard’s Little Literary Lessons — No. 6

cliff-hanger

[klif-hang-er]

noun

1. a melodramatic adventure serial in which each installment ends in suspense in order to interest the reader or viewer in the next installment.

2. a situation or contest of which the outcome is suspensefully uncertain up to the very last moment:

Stopping for a moment, she convinced herself that she had to have a good lead over her pursuers, if they were even following her. She had to find Paul. Looking around, however, she realized that not only didn’t she know where Paul was, she didn’t know where she was. She decided to work her way back in the same general direction from which she thought she had come, keeping herself hidden. If they were chasing her, they would not be stealthy. She’d hear them before they saw her. And try to find Paul. Or someone else to help. But who?

Her foot caught the bottom of her sarong, and she fell to the ground. “This damn outfit,” she said aloud as she tried to untangle herself. “I might as well be wearing a strait jacket.”

She pulled herself up to her hands and knees and looked around. There just a few feet ahead of her, two golden eyes blazed in the dark. At first they were disembodied, hovering in the air, but as they stared at her, she began to discern an outline of whatever it was that possessed the eyes. It was big, really big, and as black as the night around it. It was a cat, at least four feet at its shoulders. And it wasn’t purring.

Get me off this cliff.