JULY 13, 1865: GAY GUINEA PIGS AND MIDDLE-AGED, SCHEMING MONKEYS

Boston, Philadelphia, Baltimore, New Orleans, and some western cities have buildings called museums, opined The New York Times, but they are mere theatrical attractions compared to Barnum’s American Museum in New York City.  Make that Barnum’s former museum, since the occasion for the Time‘s ode, was the destruction by fire of the amazing structure at the corner of Broadway and Ann.  Forget that the Times also talked of its “ever patent humbuggery with which (it) coddled and cajoled a credulous people,” it was still an honorable institution.

The always staid Times ran the story of the fire under the following headline:

DISASTROUS FIRE.

Total Destruction of Barnum’s American Museum.

Nine Other Buildings Burned to the Ground.

LOSS ESTIMATED AT $1,000,000.

A History of the Museum and Brief Sketch of its Curiosities.

Scenes Exciting, Serious, and Comic at the Fire.

The Police Prompt and Vigilant—The Firemen Earnest and Active.

GREAT EXCITEMENT IN THE CITY.

Thirty Thousand People in the Streets

Pickpockets in the Crowd

Accidents and Incidents.

THE AQUARIA.

THIRD FLOOR FAMOUS PETRIFICATION, THREE MEN OF EGYPT,

THE FOURTH FLOOR, THE HAPPY FAMILY, ORIGIN OF THE FIRE.

SCENE WITHIN THE MUSEUM, COMIC INCIDENTS, A FEARFUL PANIC.

PROGRESS OF THE CONFLAGRATION.

ARRIVAL OF THE METROPOLITAN POLICE.

THE FLAMES EXTENDING. CLOSING OF SHOPS.

THE FIRE CHECKED.

INCIDENTS.

THIEVES ARRESTED. ACCIDENTS.

LOSS OF CURIOSITIES.

THE SUFFERERS AND THE LOSSES.

DISASTROUS FIRE.

Leave the sensationalism to the Daily News and the Post.

From the Times Article:

On the floor above was a collection of “sassy” monkeys, subdued dogs, meek rats, fat cats, plump pigeons, sleepy owls, prickly porcupines, gay guinea pigs, crowing cocks, hungry hounds, big monkeys, little monkeys, monkeys of every degree of tail, old, grave, gray monkeys, young, rascally, mischievous monkeys, middle-aged, scheming monkeys, and a great many miserable, mangy monkeys. Those animals and other creatures may have been happy, but they didn’t smell nicely; they doubtless lived respectable, but their anti(c)s were not pleasant to look at, and, to tell the truth, they frequently fought fiercely, and were badly beaten for it. However, they are gone; all burned to death, roasted whole, with stuffing au naturel, and in view of their lamentable end we may well say, “Peace to their ashes.”

February 3, 1882: You’re a Big One, Aren’t Ya

A rather large sales transaction took place on February 3, 1882: Flamboyant showman and circus entrepreneur P.T. Barnum purchased his largest performer, a single-named star who stood ten feet at the shoulders, Jumbo. Jumbo of course was an elephant, a very big elephant. He was born in the Sudan and took a rather circuitous journey north to Germany, France and finally England and the London Zoo, where he resided for 17 years, becoming famous for giving rides to zoo visitors.

Londoners were not happy about the sale. The Zoological Society was up in arms. 100,000 schoolchildren petitioned Queen Victoria to halt the sale. A lawsuit was filed against the zoo. The zoo attempted to renege on the sale, but the court sided with Barnum.

The deal was a bonanza for Barnum. He exhibited Jumbo to huge crowds at Madison Square Garden, recovering the entire cost of his investment in three weeks. With Jumbo as its main attraction, the circus earned $1.75 million for the season.

Jumbo’s circus career would be short-lived, however. In 1885, he was struck by a train and died within minutes.

What’s in a Name

While jumbo as an adjective is used today to describe everything from CDs to shrimp, the word did not have that meaning when the London zookeeper association gave it to the big fellow. Its derivation could be Indian from jambu (pronouced jumboo) a tree that grows on a mythical island whose fruits were said to be as big as elephants or Swahili from jambo (hello) or jumbe (chief). It is safe to say it has no relation to jambalaya or gumbo.

Never Forget Elephants

Although Jumbo is arguably the most famous elephant, there are many, many others who might be in the running — circus elephants, movie elephants, rescue elephants, war elephants, zoo elephants, pet elephants (Charlemagne, Pope Leo X and Henry III all had one), gift elephants (Ronald Reagan and Jimmy Carter both received one),  and very naughty elephants.  Here’s a portrait gallery from which you may choose your own favorites.

From the top: Tusko (world’s meanest elephant), Babar, Thomas Nast’s GOP, Horton, Dumbo.

He-e-e-y Abbott

Radio’s Kate Smith Hour was a mainstay during the 30s and 40s. On February 3, 1938, the comedy duo of Bud Abbott and Lou Costello made their first radio outing on the program and became regular performers. They first performed their classic “Who’s on First?” the following month.

abbott-costelloThe former vaudevillians quickly became major stars in radio, followed by movies and television. They left the Kate Smith show after two years to star in their own radio program, as well as a Broadway revue, The Streets of Paris, and their first film, One Night in the Tropics, in which, although cast in supporting roles, they stole the show with several classic comedy routines and cemented their film careers.

Universal Pictures signed them to a long-term contract. Their second film, Buck Privates, made them box-office stars and in the process saved Universal from bankruptcy. In most of their films, the plot was not much more than a framework that allowed them to reintroduce comedy routines they had first performed on stage. Universal also added glitzy production numbers to capitalize on the popularity of musical films, featuring such performers as the Andrews Sisters, Ella Fitzgerald, Martha Raye, Dick Powell and Ted Lewis and his Orchestra. The Andrews Sisters hits “Boogie Woogie Bugle Boy” and “I’ll Be With You In Apple Blossom Time” were both introduced in Buck Privates.

During the following years, Abbott and Costello “met” many other movie legends – Frankenstein, Dracula, the Wolf Man, the Invisible Man, Captain Kidd, Dr. Jekyll and Mr. Hyde, the Mummy, the Killer (Boris Karloff).  And they traveled throughout the world (and beyond): in a Harem, in the Foreign Legion, Lost in Alaska, Mexican Hayride, Mars, and Africa Screams, which featured both Clyde Beatty and Frank Buck as themselves. They made a total of 36 films.

On television, they frequently hosted the Colgate Comedy Hour and had their own syndicated television program.

 

They dissolved their partnership in 1957, with Lou making sporadic appearances until his death in 1959.  Bud died in 1974.

JULY 13, 1865: GAY GUINEA PIGS AND MIDDLE-AGED, SCHEMING MONKEYS

Boston, Philadelphia, Baltimore, New Orleans, and some western cities have buildings called museums, opined The New York Times, but they are mere theatrical attractions compared to Barnum’s American Museum in New York City.  Make that Barnum’s former museum, since the occasion for the Time‘s ode, was the destruction by fire of the amazing structure at the corner of Broadway and Ann.  Forget that the Times also talked of its “ever patent humbuggery with which (it) coddled and cajoled a credulous people,” it was still an honorable institution.

The always staid Times ran the story of the fire under the following headline:

DISASTROUS FIRE.

Total Destruction of Barnum’s American Museum.

Nine Other Buildings Burned to the Ground.

LOSS ESTIMATED AT $1,000,000.

A History of the Museum and Brief Sketch of its Curiosities.

Scenes Exciting, Serious, and Comic at the Fire.

The Police Prompt and Vigilant—The Firemen Earnest and Active.

GREAT EXCITEMENT IN THE CITY.

Thirty Thousand People in the Streets

Pickpockets in the Crowd

Accidents and Incidents.

THE AQUARIA.

THIRD FLOOR FAMOUS PETRIFICATION, THREE MEN OF EGYPT,

THE FOURTH FLOOR, THE HAPPY FAMILY, ORIGIN OF THE FIRE.

SCENE WITHIN THE MUSEUM, COMIC INCIDENTS, A FEARFUL PANIC.

PROGRESS OF THE CONFLAGRATION.

ARRIVAL OF THE METROPOLITAN POLICE.

THE FLAMES EXTENDING. CLOSING OF SHOPS.

THE FIRE CHECKED.

INCIDENTS.

THIEVES ARRESTED. ACCIDENTS.

LOSS OF CURIOSITIES.

THE SUFFERERS AND THE LOSSES.

DISASTROUS FIRE.

Leave the sensationalism to the Daily News and the Post.

From the Times Article:

On the floor above was a collection of “sassy” monkeys, subdued dogs, meek rats, fat cats, plump pigeons, sleepy owls, prickly porcupines, gay guinea pigs, crowing cocks, hungry hounds, big monkeys, little monkeys, monkeys of every degree of tail, old, grave, gray monkeys, young, rascally, mischievous monkeys, middle-aged, scheming monkeys, and a great many miserable, mangy monkeys. Those animals and other creatures may have been happy, but they didn’t smell nicely; they doubtless lived respectable, but their anti(c)s were not pleasant to look at, and, to tell the truth, they frequently fought fiercely, and were badly beaten for it. However, they are gone; all burned to death, roasted whole, with stuffing au naturel, and in view of their lamentable end we may well say, “Peace to their ashes.”

Death Visits Aunt Agatha, Part 1: She’d Plucked Her Last Chicken

Haggard.

Gaunt.

Cadaverous.

Monty turned each adjective over in his mind, looking at it this way and that to see if it fit the woman who lay in the bed in front of him, wheezing rather than breathing, each little gasp seemingly her last. Yes, Monty’s 95-year-old Aunt Agatha looked pretty bad, and the doctor confirmed that she was pretty bad, dying actually. Within the week, he had said on Monday. It was now Friday and she didn’t look as though she’d see the weekend. Of course, one had to bear in mind that Aunt Agatha had looked gaunt, haggard, cadaverous for thirty years now. Farming had taken its toll.

Aunt Agatha was one of those farmers of the old school, toiling from dawn to dusk, sleeping when not toiling. Monty wasn’t. He was one of a new breed of PhD farmers, calculating crops rather than just growing things. He had come to the farm when his father had died. Aunt Agatha, his father’s older sister, couldn’t run the place herself, and Monty, having grown disillusioned with the corporate world, guessed he might give farming a go.

Now Aunt Agatha was ready to buy the farm, so to speak. She’d plucked her last chicken, milked her last cow. Monty wished she’d get on with it. Not that he disliked Aunt Agatha or anything like that. Her lasting into the weekend was an inconvenience, that’s all. He had important business that would take him to the city for several days. And she couldn’t be left alone.

He had thought about just leaving her alone but couldn’t bring himself to be quite that insensitive. He hated the idea, but guessed he would have to call that harpy, Bridget Berman. Bridget had once been, or at least claimed to have been, a nurse. For as far back as practically anyone could remember, however, she had made her living as a sitter for the dying, substituting for family members who were too busy or to squeamish to be with the departing. She stayed at bedside night and day, charging seventy-five dollars for each 24 hours of her deathwatch. She was a bent, used up old bitch, and many suggested that her sitting at your bedside could only hasten death.

continued