On the screen, a man steps from behind a curtain to tell us we are about to see “one of the strangest tales ever told. It deals with the two great mysteries of creation; life and death. I think it will thrill you. It may shock you. It might even horrify you. So, if any of you feel that you do not care to subject your nerves to such a strain, now’s your chance to uh, well,––we warned you!!”
It’s November 21, 1931, and the warning is all about Frankenstein, the gothic horror film based on the novel by Mary Shelley. There have been countless films over the years featuring the famed monster but this one is the daddy of them all. Audiences and critics all loved it, and it, along with Dracula released earlier in the year, saved Universal Pictures.
The story is well known. Young Henry Frankenstein has this notion. He wants to create a living being from dead spare parts, mostly stolen. Perhaps he played Mr. Potatohead too often as a child. Things move along swimmingly until the time comes to give the creation a brain. Frankenstein’s assistant, Fritz the Hunchback, botches the brain acquisition, dropping the good brain and substituting a bad brain for it. The assembled creature is brought to life amid an amazing display of electrical pyrotechnics and shouts of “It’s alive!”
Karloff (without the Boris) is both frightening and sympathetic as the monster. He kills a lot of people. It’s not that he’s really bad, he’s just misunderstood. Nevertheless, the villagers form a mob and hunt him down, trapping him in a windmill and setting it ablaze.
One of the most famous and controversial scenes was cut from the original and not restored until the 1980s:
Humor He Wrote
American humorist Robert Benchley died on November 21, 1945, (born 1889) after a writing career that took him from the Harvard Lampoon to Vanity Fair and The New Yorker. Although he described himself as not quite a writer and not quite an actor, he enjoyed success as both. His topical and absurdist essays, particularly at The New Yorker gained him both recognition and influence. He was also one of the members of the group that made up the fabled Algonquin Round Table. As a character actor, he appeared in such films as You’ll Never Get Rich, Bedtime Story, the Crosby/Hope Road to Utopia, and Alfred Hitchcock’s Foreign Correspondent.
It took me fifteen years to discover that I had no talent for writing, but I couldn’t give it up because by that time I was too famous.
Anyone can do any amount of work provided it isn’t the work he is supposed to be doing at the moment.
A dog teaches a boy fidelity, perseverance, and to turn around three times before lying down.
I have tried to know absolutely nothing about a great many things, and I have succeeded fairly well.
New York – The city where the people from Oshkosh look at the people from Dubuque in the next theater seats and say “These New Yorkers don’t dress any better than we do.”








