OCTOBER 11, 1983: DON’T YANK THE CRANK

The title refers to a movement that took place in Maine back in 1981. Movement is probably a pretty strong word for laid-back Maine where crankdemonstrators tend not to get worked up into a chanting frenzy over things. And even less so in a sleepy little town like Woodstock whose population squeaked by 1,200 a couple of years ago.

Bryant Pond is Woodstock’s largest settlement and as much of an urban center as you’re likely to find. It captured its fifteen minutes of national fame and media attention during the mid1970s when its family-owned Bryant Pond Telephone Company became the last telephone exchange in the United States to use hand-cranked phones. Then in 1981, the two-position magneto switchboard in the living room of the owners was purchased by the Oxford County Telephone & Telegraph Company, a larger company in the Maine neighborhood. The Bryant Pond Telephone Company was swallowed like so many krill off the shores of Maine.

Two Bryant Pond residents started the “Don’t Yank The Crank” movement to save their crank telephones, financed by the sale of tee shirts – a valiant effort but nonetheless futile. At a meeting in the local school gymnasium warmed by a wood stove, townsfolk spoke out. “We have the oldest pay station in the United States,” said one resident, either complaining or bragging. “You put in a nickel and wind it up.” “You are a person instead of a number.” And did they mention no robocalls?

Alas, to no avail. The last “crank calls” took place on October 11, 1983, and the beloved telephones slipped into history like so much Americana.

Just Put Your Lips Together

Harry “Steve” Morgan and his alcoholic sidekick, Eddie, are a couple of ne’er-do-wells crewing a boat for hire on the island of Martinique. to_have_and_have_not_1944_film_posterLife is okay, but World War II is happening all around them, doing a number on the tourist trade and thus their livelihood. Howard Hawks’ film To Have and Have Not which premiered in New York on October 11, 1944, was notable for bringing together what would become one of Hollywood’s hottest couples, Humphrey Bogart and Lauren Bacall.

The film takes the title from the book by Ernest Hemingway but not much else. Hawks was a Hemingway fan but thought this particular book was a “bunch of junk.” Even so, Hemingway worked with Hawks on the screenplay, in which Bogart once again gives up his professed neutrality in the war to thwart the Nazis. The plot is well thickened by the stormy relationship between Bogart and Bacall who plays Slim, a saucy singer in the club where Morgan drinks away his days.

Another notable member of the cast is Hoagy Charmichael who appears as the club piano player, Cricket. He and Bacall perform several Charmichael songs: “How Little We Know,” “Hong Kong Blues,” and “The Rhumba Jumps.” Bacall does her own singing, even though persistent rumors would have a 14-year-old Andy Williams singing for her.

The most memorable take away from the film is one line of dialogue delivered seductively by Bacall: “You know how to whistle, don’t you, Steve? You just put your lips together and . . . blow . . .”

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A writer of fiction and other stuff who lives in Vermont where winters are long and summers as short as my attention span.

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